Music Alliance Pact May 09

This month sees the sixth Counting The Beat contribution to an exciting international initiative, the Music Alliance Pact. On a monthly basis music bloggers from around the globe select a track from their own country which is then posted collectively and simultaneously on those blogs - giving each nation's track international exposure. This month's Counting The Beat is pleased to be contributing a great pop song with a twist from The Sing Songs, a band impossible to google. Look out for their forthcoming E.P. This song is also available on the excellent Awesome Feelings 3 compilation available for free download from Real Groove magazine. I've also put the video for the song on the video page.

NEW ZEALAND: Counting The Beat

The Sing Songs – Pamphlet Baby

The Sing Songs sing songs, saccharine sweet pop songs. What gives them their staying power are the lyrics. Where you might expect girl loves boy, boy loves girl, instead you get the story of a woman dealing with the death of her baby by walking the streets with a pram, delivering pamphlets. To date the band don't have any releases but this song has been included on a compilation issued by Real Groove magazine to celebrate New Zealand music month.

AMERICA: I Guess I'm Floating

Lands & Peoples – Awake

Baltimore-based Lands & Peoples seem to have a knack for hypnotherapy. With a commanding ethereal ambience and gorgeous catatonic tensions throughout, Awake is an eye-opener from start to finish. You'll ask, "How have I not heard of them?" and "I can't believe they aren't signed!" Well, believe it. There's an album in the works coming out later this year (perhaps self-released), but for now you can listen to more gems at their MySpace page.

ARGENTINA: Zonaindie

Les Mentettes Orchestra – Hold On

Les Mentettes is a psychedelic pop band who just released a five-song EP with orchestral arrangements conducted by former Orquesta de Salón member Manuloop. It's a free release so if you like Hold On you can legally download the other tracks as well. They are currently playing this record live with a full orchestra in several venues around Buenos Aires.

AUSTRALIA: Who The Bloody Hell Are They?

Jonathan Boulet – A Community Service Announcement

I only recently discovered the very talented Jonathan Boulet's music online, and upon hearing this song immediately purchased his album from iTunes. It is simply amazing that the 20-year-old produced and recorded everything himself in his garage. Big future for this guy.

BRAZIL: Meio Desligado

A Banda de Joseph Tourton – #3

A Banda de Joseph Tourton only have a few songs on the internet and released a digital EP last year, but they are already one of the most interesting of the new generation of alternative groups in Brazil. They create instrumental songs full of groove, emotion and originality, making the next step in mangue beat's (a musical movement from Brazil's northeast) history, going through post-rock, jazz and their regional culture influences.

CANADA: I(Heart)Music

Green Go – Brains For Breakfast

For a year or two now, my friends in Toronto have been raving about Green Go to me and now that their debut album, Borders, is out, it's easy to see why. As songs like Brains For Breakfast show, the band create infectiously catchy pop with shouted group vocals and bouncy riffs that sound like they'd make for a big, sweaty blast of fun in concert.

CHILE: Super 45

Mutrone – Bristol

A mix of experimentation, psychedelia and improvisation are the foundation elements from which Mutrone build solid sound walls comprising samples, effects and a dynamic reminiscent of the machine-like structures of krautrock. With two albums, Oscillatore and Centinela, both released under a Creative Commons licence, the four guys in Mutrone have discovered an exciting way to bring the real sounds of the city into the machine.

DENMARK: All Scandinavian

Sinusstøv – Who Am I?

The translation of their name is "Sinus Dust" but there's nothing at all dusty about Claus Pedersen and Søren Friis Dam's musical output. Who Am I? is lush, sweeping and crackling electro, showered in the melancholy Scandinavians have to live with and everybody else finds moving. Another grand testament to the incredibly healthy state of Danish electronica.

ENGLAND: The Daily Growl

Blue Roses – Doubtful Comforts

Another month and I'm sticking with all thinks folky, although we're leaving London for Shipley in Yorkshire which is the home of Laura Groves. She has recently rebranded herself as Blue Roses and released an amazing self-titled album (on XL). Of all the young folky female artists I've enthused about here and on my blog, she's possibly the best.

FINLAND: Glue

Delay Trees – Desert Island Song

Indie-pop quartet Delay Trees have just self-released their seven-song debut CD, Soft Construction EP. Desert Island Song is the opening track and the beginning of a dreamy trip through tender pop melodies and bits of psychedelia. It is a very promising start for these guys.

FRANCE: ZikNation

Walter – Le Dernier Bastion

In the beginning, they were two, playing in parks, festivals and concert halls. Six years and three musicians later, Walter keeps riding French roads offering a tasty blend of reggae, blues and folk, spreading messages of love, respect and peace. They'll be back in studio by the end of the year to record their next album.

GERMANY: Blogpartei

Schlachthofbronx – Good To Go

Schlachthofbronx defined a whole new genre called Munich bass. This bastard relies heavily on Kuduro, baile funk, dub and dancehall but also likes to play with elements of Bavarian folk and synthpop. Good To Go has never been released officially but turned on the crowd at their sweaty gigs all over central Europe.

ICELAND: I Love Icelandic Music

Retro Stefson – Papa Paulo III (Re-edit version)

Retro Stefson was founded in late 2006 by a group of eight teenagers, school friends from Austurbæjarskóli. They write catchy, semi-pop/semi-rock crossover songs and give great live performances. Last year the band released their debut album Montaña on the Icelandic Kimi Records label. The band’s principal songwriter is Unnsteinn Manual Stefánsson. The lyrics are in English, Spanish and Icelandic.

IRELAND: Nialler9

Super Extra Bonus Party – Radar

The first single from Super Extra Bonus Party's second album Night Horses sees them joined by Cadence Weapon on a stomping live band/electro-hop crossover. It's a good indication of a band who don't like to stick to genres for too long. Night Horses also features pop, acoustic folk, instrumental rock and electronic goodness with guest vocals from Mr. Lif, R.S.A.G., May Kay of Fight Like Apes, Ann Scott and Heathers.

ITALY: Polaroid

Buzz Aldrin – Small Bad Talk With Koala Friends

Obsessive rhythms, nagging guitars, alienated voices, dirty synths and strangely beautiful songs that are greater than the sum of their parts. Think of Liars, think of Wire, think of Pere Ubu, or don't think: just dance. This young trio show a driving strength when on stage and they are improving with every gig.

MEXICO: Club Fonograma

Mr. Racoon – Ferry 3

Mr. Racoon is one of several projects by Roberto Polo, among them 60 Tigres and Fuck Her, Or The Terrorists Win. This is by far his most charming moment yet. His music unfolds the very best of a prolific songwriter that, as opposed to what his music may sound like, is a maximalist taking the lo-fi production and his shimmering voice to heroic amplitudes. Ferry 3 is a cut from his third album Katy, released earlier this year through the free storage music website Delhotel Records.

NORWAY: Eardrums

Maribel – Flesh & Blood

Oslo-based Maribel released their long-awaited and brilliant debut Aesthetics only a few days ago, and the Norwegian critics gave them full scores in the reviews. The band play dreamy, noise-drenched, multi-layered shoegaze with almost psychedelic elements. There are obvious references in their sound to bands like My Bloody Valentine, Slowdive, Spacemen 3, Pale Saints and even The Velvet Underground, but Maribel definitely do their own thing and they do it their own way. Maribel and Aesthetics is highly recommended, and will be this Norwegian blogger's soundtrack to the spring of 2009.

PERU: SoTB

Diablos Azules – Porno Music

It is time for a classic night: trumpets, breaks, ska and contagious melodies that immerse people in the most insane of their intentions. It is perhaps no surprise the band are called Diablos Azules ("Blue Devils"). Porno Music is the best legacy of their existence – an old song which is still fresh and gets revived every time someone goes to a party in Lima.

PORTUGAL: Posso Ouvir Um Disco?

The TiMaria – Pretty Girls Are Pretty High

Last year, a man was organizing a gig with a three-band bill but had just two booked. When he was creating the poster, he made up the name TiMaria and included this fictitious group as the third act of the night. (Un)fortunately, he didn't erase the name before the posters went to press and ended up with a stock of paper to throw away. However, he persuaded his friends, André Moinho and Nuno Rancho, who live in small villages around the city of Leiria, to form a band in 15 days so that he could use the posters and save the planet. And so, with the addition of Nuno's younger brother, Luis Jerónimo, The TiMaria ("Aunt Maria") was born. Their debut record will be released in September or October.

ROMANIA: Babylon Noise

Semiosis – Recovery

Semiosis is the post-rock/ambient/electronic project of Seidiu Alexandru and Serban Ilicevici, two young guys from Craiova. They have just released their debut album, Pictural, and it has received a lot of positive feedback. Pictural is considered the first Romanian post-rock album and is available for free download here – it's a must if you enjoy listening to this preview.

SCOTLAND: The Pop Cop

Boycotts – Beat On The Dancefloor

Boycotts have been in existence for barely a year but it's still no surprise they've got people in Scotland very excited indeed. The Glasgow-based quartet's edgy guitar-pop pushes all the right buttons, but the ace in the pack is their enchanting frontlady, Stina Twee, all youthful exhuberance and 'don't screw with me' lyrics.

SINGAPORE: I'm Waking Up To...

The Fire Fight – Fires At Night

The Fire Fight are an indie-rock band that have set the local scene on fire with their firebranded musicality and heartfelt lyrics. Fires At Night is the first track from their demo, The Green EP. Brandishing straight-up indie guitar rock that combines the intensity of Bloc Party and the poetic ebb and flow of The One AM Radio, Fires At Night draws the listener into its warmth and, like a slow burning furnace, purifies the experience. Perhaps the best thing about The Fire Fight is their lyrical optimism in a world spiraling into nihilism, as singer Josh Tan pleads that music is for "the hope that burns in your eyes".

SOUTH KOREA: Indieful ROK

Stretching Journey – 060

Post-punk band Stretching Journey put out a self-titled album on its own last month. The band is not afraid to blend a plethora of genres into their music and as a consequence of the lo-fi production, several of their songs ended up with a slight psychedelic edge. The album opens with 060, which has a progression and a beat influenced by Los Bunkers, whereas the style of the chorus is inspired by Korean dance-pop act Koyote.

SPAIN: La Página De La Nadadora

Sundae – Arte y Ensayo

The Field Mice, My Bloody Valentine, The Radio Dept. and The Cure are four good references for this band who have even been namechecked by the famous label Shelflife with their second demo. Sundae are like the best shoegaze pop inherited from Sarah Records, but this time from Seville.

SWEDEN: Swedesplease

Robert Svensson – I Was Summer, You Were

I can't tell you one quaint biographical detail about Robert Svensson – he's a mystery to me. But I am now an instant fan on the strength of I Was Summer, You Were. The song exists to share these two sets of lyrics: "I was summer and you were November" and "I was architecture and you were the wrecking ball".

To download all 25 songs in one file click here.

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New Releases April 09


The self titled album from The Eastern, bringing together songs from two earlier EPs with a few new numbers, doesn't break any new ground for the band but that doesn't matter because their road worn Americana is very welcome. The album was recorded in the sitting room with friends and family and that atmosphere of warmth pervades. Acoustic instrumentation including mandolin, banjo, double bass, lapsteel and guitar add to that feeling, but that doesn't mean the album is subdued. The Eastern often play in Lyttleton and they have the passion and energy that a live crowd in a port town demand. Check out an interview on Plains FM in Christchurch and a neat photographic journal of the band (set to their music) on the video page.

David Kilgour has a long line of acclaimed solo albums, not to mention being a member of The Clean. His latest is a collaboration with legendary New Zealand poet Sam Hunt. Originally envisaged as a spoken word and music collaboration instead the album that has emerged, Falling Debris, takes the words of some of Hunt's already published poems and sets them to Kilgour's music. Accompanied by his regular band The Heavy Eights with a mainly acoustic line-up, Kilgour doesn't deliver many music surprises here but combination works well. This isn't Hunt's first musical collaboration - he released a solo single 'Your Body has No Flaw' in 2001, he's appeared on tracks with The Warratahs and he released an album with prog rock band Mammal in 1974 (that album sells for hundreds of dollars, if anyone has a recording of it I would be very grateful to hear it). On David Kilgour's website there are downloads of songs from the album, a background piece by Kilgour and videos for two of the songs (also on the video page). Also check out an interview with Sam Hunt recorded earlier this year on the collaboration.

'Home' is the debut single from Wellington band Stormbird, a four piece centred on songwriter and vocalist Ana Mules. Live they range from folky, country tinged numbers to indie pop-rock. The band has been through a line-up changes with Mules and original bassist Rochelle Berry joined by a new drummer Cyrus Manlunas with the recent addition of lead guitarist Phil Sanders filling out their sound. 'Home' captures the band at the poppier end of their spectrum. There's a video for an earlier song '1, 2, Complain' on the video page.


The new album from An Emerald City, Circa Scaria, is only just out and is already the stuff of legend due to have being recorded in a cave at Whatipu. The music seems well suited to those rugged West Coast beaches, with most of the instrumental songs building into epic soundscapes with the power of the wind and surf that crashes onto the black sands. Remarkably the album has reached the Top 40. Not remarkable because it doesn't deserve to be there, but because it is so unlike the commercial fare which the charts usually consist of. An Emerald City meld Eastern instrumentation like the tablas, lute and sitar with a more customary rock format of guitars and drums. Their songs are all instrumental and build in power and intensity, in a way similar to the great Napier band, Jakob. An Emerald City are unlike anyone else on the local music scene, making music which is epic, thrilling and surprising.
Watch a TV3 story on the band on the video page and check out a live recording from National Radio (stream).

Download the Counting The Beat - New Releases April 09 podcast

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Second (Arc)life


My recent rediscovery of the Arclife Records catalogue unearthed some amazing female artists, some of whom featured in a recent Counting The Beat episode. However, that wasn't all that deserved an airing so this episode continues the exploration of the Arclife catalogue, the recording offshoot of Dunedin's Arc cafe.

Kitset released the album Testpot on Arclife in 1999. It's guitar based pop in the Dunedin tradition but has an epic, wind down the car window, open road sound that reminds me a bit of the kind of driving drone of Snapper or Bailter Space. Kitset were to release a second album on Archhill Records, but as far as I'm aware it never came about. 'Headlights Gone', a song that was destined for that second album did appear, however, on the 2002 Arclife compilation Arc Beats and follows in the same vein.

Appearing on the same compilation is an otherwise un-released track from Martin Phillipps of the Chills. The song 'I Don't To Live Forever' was performed by both The Chills and Martin Phillips over a long period of time and was demoed for the Chills Sunburnt album. The version on the compilation was initially recorded in 1993 but then given some gussying up for inclusion on the compilation. While the song itself is a good one I'm not so sure about the choice of a fairly dinky sounding keyboard, I would have liked to have heard this given the full band treatment. I once saw Martin Phillips play an Arc Cafe Christmas party to a packed room and finish his set joined by David Kilgour to play some Velvet Underground covers. I've put a clip for a more sedate recent live performance on the video page.

Mestar seemed indicative of a change in the Dunedin music scene from a determinedly alternative outlook to a more pop focus. While on Arclife the group released two albums, Mestar (1998) and Porcupine (2002) and an E.P. Steamer (2000). The song 'Turtle Control', a great noisy melodic pop song, comes from that E.P.. Mestar later made the move to Archhill Records for their latest album Shut the Squizwot Factories Down.

My memories of seeing Suka live were of a maelstrom of guitar. Matthew Thornicroft, the guitarist always seemed to end up with bleeding fingers and he would have specks of blood splattered over the front of his shirt. Listening now to 'Dancing To Tibet', the title track from Suka's 2001 E.P. you would never pick that. This is jaunty little number with a Velvet Underground chug, some 'ahh, ooh's' and even harmonica. If it is the noisy Suka you're after try and track down their 1995 album Nimrodiaboligue.

Finally in this run down of Arclife releases is a track from Pointy Little Stick featuring Bruce Blucher, formerly of two great Dunedin bands Cyclops and Trash. The music is a relentless guitar grind of the kind Blucher specialises in, while the lyrics tell the tale of some one with nothing to do walking the streets of Dunedin waiting for something to happen, disappointed but all the time knowing that nothing will. Blucher later gave up on music ot follow a career s a stonemason. If you're lucky you might still find some material by Cyclops here and Trash here and here courtesy of kiwitapes.blogspot.com

Picture credit: Arclights: Mestar 29-10-98 by James Dignan, http://www.grutness.co.nz

Download the Counting The Beat - Arclife 2 podcast

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Music Alliance Pact April 09

This month sees the fifth Counting The Beat contribution to an exciting international initiative, the Music Alliance Pact. On a monthly basis music bloggers from around the globe select a track from their own country which is then posted collectively and simultaneously on those blogs - giving each nation's track international exposure. This month's Counting The Beat is thrilled to be contributing a song from our home town - Waiheke's Three Legged Horse. Their album Down is stunning and is available for purchase now.


NEW ZEALAND: Counting The Beat

Three Legged Horse – Red

Red is the opening track on Down, the debut album of Three Legged Horse, a trio from Waiheke Island, around 20km offshore from Auckland. The band bring together the grungy dark introspection of lyricist/vocalist Bede Taylor, the smooth powerful vocals of Gina Higham and the musicality of Aaron Carpenter into a combination much greater than the sum of its parts. Red is a good intro to an extraordinary album that melds acoustic country blues with dirty guitar and vocal grit and growls.

AMERICA: I Guess I'm Floating

Thing One – Mop Yards

New Jersey's Thing One have been on my radar since last year when I first heard a few tracks from their debut album You'll Be Fine. Mop Yards brings traces of The Smiths and ELO into the new millennium with strange electronic warbles and dancey synth patches. Singer Joey Palestina creates a veritable summer anthem with the repeated line, "The heat is non-stop, hide the women in cop cars". Whatever that means, Joey, I feel ya.

ARGENTINA: Zonaindie

Chau Fan – Boletos De Tren

Chau Fan is a boy-girl indie folk (or anti-folk?) duo from Buenos Aires, starring Micaela Quinteros and Marcelo Lares. They both sing and play acoustic guitar, and in this particular song Micaela does a charming harmonica solo. Boletos De Tren will be part of Zonaindie's new compilation which features five songs from artists who have never had the chance to record in a professional studio (we invited them to the studio and helped them record). So consider this a MAP exclusive premiere.

AUSTRALIA: Who The Bloody Hell Are They?

Lisa Mitchell – Coin Laundry

So, yeah, this could easily be an iPod Nano commercial, but catchy accessibility is hardly a terrible quality for a song to have. Who really expected a former Australian Idol finalist to produce anything of worth? This is a lovely song and I hope it gets overplayed.

BRAZIL:Meio Desligado

Hurtmold – Música Política Para Maradona Cantar

There is no other band like Hurtmold. You have to listen and feel it. It's more than music, it's an experience.

CANADA:I(Heart)Music

Dinosaur Bones – NYE

Dinosaur Bones are currently attracting all sorts of interest on the back of their debut EP, and this song makes it easy to see why. They blend together The National's world-weariness and a very English-sounding pop sensibility, with the end result something that's entirely their own.

CHILE: Super 45

The Same Sky – We Sleep Under The Same Sky

The Same Sky is the music project of Joseph Simon, a 15-year-old Chilean who was born in Canada. It is precisely this biographic fact that can define his music – warm guitar sounds of slow rhythm alongside a smooth voice heavily influenced by bands such as Beirut, Arcade Fire and The National. The recent release of his first album (Two Hearts / Apart Under The Same Sky) supports this feeling of songs as a perfect soundtrack for winter days spent at home, enjoying the natural melancholy.

DENMARK: All Scandinavian

Ruhan Daisy – We Know You

There's quite a bit of post-rock going on in Scandinavia these days, one brilliant act being this Danish quintet. It's grandiose, funky with bits of (acid) jazz thrown into the mix and sports an equilibristic sense of detail. Ruhan Daisy's crowning achievement, however, is their catchy pop sensibility driving the complex compositions out of nerd-country into the mainstream. At least that's how it should be.

ENGLAND: The Daily Growl

Alessi's Ark – The Horse

Alessi's Ark is west London teenage sensation Alessi Laurent-Marke and here is the single version of The Horse from the Mike Mogis-produced new album, out next month.

FINLAND: Glue

Palma – Ride Around

After a couple of years in the making, Helsinki band Palma recently released their debut album Be Bold And Mighty Forces Will Come To Your Aid. Palma refers to an old soda drink in Finland and the band, indeed, produce some refreshing indie-pop songs, rooted in the classic sounds of the 70s, and with a danceable groove. It's retro and modern. For fans of The Soundtrack Of Our Lives and Supergrass.

FRANCE: SoundNation

Sundogs – So Close

Sundogs are a French band who live in London but play in both England and France. The group is made up of two guys - bassist Jeff ("le petit blond") and Pierre on guitar. The other musicians are French or English guests, depending on where they are playing.

GERMANY: Blogpartei

Lali Puna – Nin-Com-Pop

Lali Puna is another band from the great Weilheim circle led by Valerie Trebeljahr. Established in 1998, I consider them to have a higher creative potential than recently featured The Notwist, where her boyfriend and Lali Puna fellow Markus Acher is playing. Nin-Com-Pop is a song from their second album Scary World Theory. A new record will be released later this year.

ICELAND: I Love Icelandic Music

Lay Low – Last Time Around

Lovísa Elísabet Sigrúnardóttir is a 26-year-old half-Sri Lankan, half-Icelandic singer, born in London. She sings under the name Lay Low and her music is a combination of blues, folk and country. This year, Lovísa has already supported Emiliana Torrini on tour and signed a record deal with Nettwerk. Last Time Around is on her third solo album, Farewell Good Night's Sleep.

IRELAND: Nialler9

202s – Ease My Mind

There was a general air of being caught unaware in the Irish media and bloggers when this duo's debut landed on their desks. Without any gigs and already signed to French label Le Son Du Maquis, their charming Primal Scream and Broadcast-indebted indie-pop has skipped a few hurdles without skipping on the tunes.

ITALY: Polaroid

Gazebo Penguins – Wallabees

A punk band that quotes Alfred Korzybski? Yes, please. The Name Is Not The Named is the title of Gazebo Penguins' new album and it's full of powerful hardcore in the style of At The Drive-In, with a nod to Motorpsycho. Sharp guitars, heavy rhythms, driving choruses and smart attitude.

MEXICO: Club Fonograma

Mexican Institute Of Sound – Reventon

Mexican Institute of Sound is a solo project by the multi-talented Camilo Lara. He just released his third album Soy Sauce, another celebration of Mexico's traditional music fused with funky tunes, electronica and the genre that's getting ready to shake the world again, cumbia. MIS is an explosive adventurous musical ride of our rich culture. They are preparing to perform at this year's Coachella festival and with songs like Reventon, it is sure to get the fiesta up in wild spirit.

NORWAY: Eardrums

Dylan Mondegreen – Animal (Hiawata! cover)

For this month's MAP I will present not one Norwegian act, but two. The performing artist here is Dylan Mondegreen, one of my absolute favourites in Norway. He is currently working on his second album, which should be released later this year. The song he sings is written by another favourite of mine, an indie-pop band from Oslo called Hiawata!. Mondegreen's cover of their song Animal was a b-side on Valley Boys, the first single from their second album, These Boys And This Band Is All I Know, due out soon on SellOut! Music.

PERU: SoTB

Autobus – Volver

Autobus formed in Lima in 2006 and released their debut album last year. Although they have a clear rock essence, they have electronic influences and a pop touch which sets them apart from their peers, so much so that many people are surprised by where they come from. They have made a good impression abroad, achieving their aim of drawing attention to the local scene.

PORTUGAL: Posso Ouvir Um Disco?

The Clits – Lay Low

If there was a such a genre as electro-psychic-punk-rock-pop, The Clits would be the kings. It all started in 2006 when Carlos (guitars, keyboards and backing vocals) invited Ana Leorne (vocals) to form an electro-punk project, influenced by the riot grrrl movement and some of their favourite artists such as Joy Division, Bauhaus, Nina Hagen and Suspicious (another Portuguese electro-punk project). Their first record, The World Is A Mess But My Hair Is Perfect EP, was released in December 2007.

ROMANIA: Babylon Noise

Persona – Momentary Lack Of Passion

Inspired by Ingmar Bergman's movie Persona, this band belongs to the new generation of Romanian musicians that bloomed after the anti-communist revolution of December 1989. The group's members have been involved in the music scene since then, playing in several acts before forming Persona. Their music is, indeed, one of British influence but cannot be strictly labelled – the musical background and influences of each of the members, refined by experience and artistic maturity, blend together in the Persona genre.

SCOTLAND: The Pop Cop

There Will Be Fireworks – Foreign Thoughts

Bands of the calibre of There Will Be Fireworks are far too rare, but that's not a bad thing because you'll end up appreciating them all the more. Although TWBF seem like the perfect new students in Scotland's renowned post-rock school, their take on the genre is far more moving and lyrically impassioned than anything that has gone before them. Foreign Thoughts, taken from the Glaswegians' forthcoming eponymous debut album, has the beautiful intensity of a Band Of Horses classic and will stay with you long after its three-and-a-half minutes are up.

SINGAPORE: I'm Waking Up To...

Astreal – Snowflake

Some may say that when you're in love, the stars align. For Astreal, love is more of a cosmic collision course between stars and planetary bodies. In the unassumingly titled Snowflake, there lies so much destructive potential in a love so intense that, yes, even "the stars, they burn for you". Taken from their second album Fragments Of The Same Dead Star, the song combines the melodic infatuations of shoegaze with the aural impudence of noise-rock for a blistering and haunting love song that almost borders on maniacal obsession. Is this love? That's for you to decide.

SOUTH KOREA: Indieful ROK

Toxicbiasfleurivy – Parallel Assembly

GDM duo Toxicbiasfleurivy might not be the obvious choice for MAP but their latest album, Particles, provided an interesting exception from my usual listening when it was released late March. Electronic, experimental and pretty much the opposite of easy listening, the listener is advised to enjoy astral emotions while digesting this music inspired by quantum physics.

SPAIN: El Blog De La Nadadora

Anntona – Nunca Es Tarde

Apart from his membership in the band Los Punsetes, Manu has a solo project called Anntona, in which he makes the best pop songs imaginable. He has just released his second album, En La Cama Con Anntona ("In Bed With Anntona") which contains 10 fizzy and addictive pop pearls such as opening track Nunca Es Tarde.

SWEDEN: Swedesplease

The Late Call – Linnea

The Late Call is really just one guy (and friends) from Stockholm named Johannes Maye. His debut album, Leaving Notes, chronicles the long distance relationship he had with his girlfriend. The record and this song has an organic feel on account of the mostly acoustic instrumentation. Linnea is a perfect example of the gorgeous pop you can expect from The Late Call.



To download all 25 songs in one file click
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Arclife


Arclife was the recording and distribution arm of a Dunedin not-for-profit community organisation run by a charitable trust as an adjunct to their cafe and performance space, Arc Cafe. From 1997 until the mid 2000s the label released a number of albums and compilations, mainly from artists that performed at the cafe itself. I recently had a listen to some of the recordings that came out on this label and I was really taken by the strength of the female artists on the label's catalogue.

Demarnia Lloyd started her musical career with Dunedin indie-poppers Munky Kramp and went on to feature in Mink with George Henderson of the Puddle before forming Cloudboy, whose 2001 album of ethereal trip hop Down At The End Of The Garden had critics gushing. Also well worth hearing is Dermania Lloyd's even more delicate solo E.P. from the following year, Set Upon A Curve. There are a small number of Cloudboy remixes, alternate versions and unreleased tracks available on their myspace page.

Sola Monday was another regular performer at Arc Cafe. In 2002 she released a solo album on Arclife titled The Swing Festival. The album took many years to complete and ended up featuring a large cast of musicians, including many from Cloudboy and other bands that frequented the Arc stage, as well as some from further afield like Julia Deans from Fur Patrol. For some reason however, it's the drumming that always stands out to me when I hear this album, they're played in brilliantly expressive style by Stefan Neville. At it's best this album includes some cleverly constructed catchy pop songs with intriguing surrealistic lyrics that like Renee Louise Carafice's album from last year, Tells You To Fight, seems to describe Sola Mondays journey through a breakdown - "Kate was out on daily leave, floating out amid the weave. Somehow caffeine's just the same before and after going insane".

The Arclife catalogue includes a number of great compilations. On the 2002 compilation Arc Beats the track 'Sleep To Dream' starts with synths and keys before a a hypnotic mid-tempo beat kicks in, only making room for another smattering of synths at the mid-way point before coming to a close at around the six minute mark. Rather than sending you to sleep as the title suggests the beat makes you sit up and take notice and I've often found that this number is so catchy it stays with me for days after listening. The track is by Magnolia, made up of Lou Kewene and Stephen Smalls who went on to change their name to Magnolia Corporation, and have released an album electronic music, The Sundowner Sessions.

The title track of earlier compilation, Flying Way Too High is by Jay Clarkson. Jay has been on the music scene since the early 198os, first with The Playthings, then They Were Expendable. She had solo work released on Flying Nun and in 1999 released an acclaimed solo album, Kindle on ArcLife. There's a video of a one of her Flying Nun era tracks, 'The Boy With The Sad Hands' on the video page.

On the same compilation is 'Postcards' by Beckoning South. The song is simple but what carries it is the singing of Ana Boelima and Reb Fountain. Reb has gone on to have a burgeoning solo career with two great albums Like Water (sharing it's name with another of her early groups) and Holster. It's a great shame that Beckoning South didn't produce more music although as well as Reb's success, songwriter and guitarist Pete Hobbs went on to Kitset and later to compose music for television. I've added a video from Reb Fountain's Like Water album to the video page.

Keep tuned for another feature on Arclife soon, as there's a lot more great material in their catalogue that deserves exposure.

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Waiheke: My Home Town


The music scene on Waiheke used to be dominated by older white guys playing the blues but in more recent times that's changed with some great new and recent releases from Waiheke musicians.

Three Legged Horse (pictured above) are a trio that are greater than their constituent parts. Bede Taylor writes deep self-searching dark lyrics which are balanced by the musicality and instrumental prowess of Aaron Carpenter (also a popular solo act on the island) and Gina Higham's amazingly talented vocals. The bill themselves as alt-country grunge blues and all of these elements can be heard on their debut album Down. The full album is available to listen to online and can be purchased on the same site. I recommend taking a listen to an in-depth interview with Bede Taylor recorded by Waiheke Radio and you can also watch the video for album track 'The Roses Song' on the video page.

Selina Tusitala Marsh is a poet, an academic, and the first person of Pacific descent of graduate with a PhD in English from Auckland University. She also lives on Waiheke Island and there is a track from Fast Talking PI, the Book and CD she has just released, that is all about our island. It's called Chant From Matiatia to Orapiu, a lyrical tour of Waiheke with Tusitala Marsh accompanied by musical backing by Tim Page. You can hear that piece on the podcast and the via the New Zealand Electronic Poetry Centre a recording of the the title track is available for download (mp3). There is an in-depth interview (mp3) with Selina available from National Radio.

Optimus Gryme is the latest musical incarnation of Waiheke musician Charlie Brown. Charlie has been making music for over a decade, dabbling in hip-hop, breakbeat, drum and bass, and now, as Optimus Gryme, dubstep. He released a four track E.P. titled Annihilation of the Ego late last year and the track Immortal received quite a bit of airplay around the country. The E.P. is diverse with some tracks heading more in a dub direction, and others the dance floor, with the diversity adding to it's appeal. It has also been released on vinyl. There are videos from Optimus Gryme on the video page.

So, there you go. A little taster of the some of the latest musical talent from the home of Counting The Beat, Waiheke Island.

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