We Interrupt This Service

The site that hosts the Counting The Beat podcasts is closing down at short notice. I am in the process of shifting to a new host. The RSS feed options in the sidebar will bring you all the latest episodes. Please update your podcast feeds to continue receiving Counting The Beat.

Many of the links to past episodes will be dead from April 1. I am working to upload these episodes to another site and will have these links working again as soon as possible.

Sorry for the inconvenience and thanks for checking out Counting The Beat.


We Don't Like Hip Hop

"We don't like hip hop, Oh no, We love it" - Three the Hard Way, 'Hip Hop Holiday'

You don't hear a lot of hip hop on Counting The Beat, so to put that right I've put together a few songs from that genre that have a uniquely kiwi sound and perspective.

Christchurch Pakeha hip hopper Jody Lloyd has been making quintessentially kiwi hip hop for a number of years as part of Dark Tower and also as Trillion. While Dark Tower cleverly utilised and poked fun at kiwiana Trillion takes a more serious look at New Zealand culture. The 2008 album Silent Invisible incorporates the poetry of Denis Glover, speeches of Green MP Rod Donald and Lloyd's observations on the state of post September 11 New Zealand society. This is a million miles away from bitches and bling hip hop. Lloyd may be a white guy from Christchurch but he has a firm grasp on the idea of hip hop being a modern folk music, a voice of dissent, an opportunity for people to speak out. There is currently a free Trillion E.P. of out-takes available for download at the Trillion website and a couple of videos of tracks from the Silent Invisible album on the video page.

Colony released just one three track E.P. in 1994. The stand-out is the opening track 'Colony', a nine minute hip hop, R'n'B epic of political dissent. From Colony Gavin Downie went on to join the Hallelujah Picassos, and later The Managers. Also in Colony were brothers Dominic and Simon Taylor who went on ot become acclaimed video makers and cafe owners. The female vocals on the track were supplied by Sulata Foai who won the Tui for most promsing females artist in 1995 and later joined Te Vaka. She now works as a sales manger for Vodafone.

Upper Hutt Posse (pictured at top of post) are the Public Enemy of the NZ hip hop scene. Uncompromisingly political and coming from a radical Maori perspective some saw them as aggresive and threatening. Another group who saw hip hop as the vehicle for voices of dissent from the street, in my opinion their strongest material was that in Te Reo. Their debut single was 'E Tu' (translation: stand up) and later tracks like 'Whakakotahi' (become one) and 'Tangata Whenua' (People of the land) from the album Movement In Demand meld American and indigenous culture perfectly. I recently visited Upper Hutt and I was disappointed to find there wasn't a statue of Dean Hapeta on the main street. There are videos for 'E Tu' and 'Tangata Whenua' on the video page.

Download the Counting The Beat - We Don't Like Hip Hop podcast


Out of Print: Startrackers

I was rummaging around in the record cupboard under the stairs looking for a single I wanted to feature in the podcast when I came across a magazine in one of the record crates. It was Spunkzine, issue 4 of an Australian alternative music fanzine that usually went by the title Spunk Magazine. This particular issue included Startrackers, a giveaway cassette (remember those) featuring 22 bands from around the world, bands that were breaking through on the alternative scene of 1995.

Most of the songs on the cassette are exclusives, including the five contributions by New Zealand acts. Three of the kiwi songs are demos or early takes of songs that saw release by the artists - there's a rip roaring demo of 'Ritual Tragick' from the 3Ds, a song from Swarthy Songs for Swabs. The 3Ds are one my favourite bands of all time so any excuse to hear or play them is welcome. There is also an early take on 'Seed' by Shayne Carter, a song he didn't officially release until the Dimmer album I Believe You Are A Star six years later. The third early version is from Chug, something of a Dunedin superband featuring including Norma O'Malley (ex-Look Blue Go Purple) on guitar and vocals, Alf Danielson on bass, Gary Sullivan (ex-JPS Experience and Solid Gold Hell) on drums and former 3Ds and Goblin Mix member David Mitchell on lead guitar. Their Startrackers song 'Cat Bag' later featured on their 1997 album Metalon.

The other two are songs you'll only hear on Startrackers - there's 'Move It' some great home -recorded guitar squall from King Loser and a song recorded by Chris Knox especially for the compilation, a theme tune called 'Spunk Rock'.

Video: I've loaded an excerpt from The Heavenly Pop Hits doco on the video page that is virtually all about the 3Ds along with a clip from King Loser and the Dimmer video for Seed

Download the Counting The Beat - Out of Print: Startrackers podcast


Music Alliance Pact March 09

This month sees the fourth Counting The Beat contribution to an exciting international initiative, the Music Alliance Pact. On a monthly basis music bloggers from around the globe select a track from their own country which is then posted collectively and simultaneously on those blogs - giving each nation's track international exposure. This month's Counting The Beat is honoured to be able to contribute a new song by New Zealand music legends, The Verlaines.

AMERICA: I Guess I'm Floating
ViernesGlacial Change Of Pace
Viernes are an electronic rock duo from Florida who've managed to capture a thrilling loud/quiet/loud aesthetic akin to Grizzly Bear. Glacial Change Of Pace – a MAP exclusive – brings together hard-hitting psychedelia with gorgeously subdued lulls, and vice-versa, in a seamless display of sonic movements and emotions. Look out for their debut album Sinister Devices in the near future.

ARGENTINA: Zonaindie
Lola Arias & Ulises ContiTe Voy A Vencer Por Knock-out
Lola Arias is a writer, stage director, actress and singer. Ulises Conti is a composer, producer and multi-instrumentalist musician. They started working together in 2003, making music for several theater plays. This wonderful pop-rock love song is from their debut album, El Amor Es Un Francotirador, which comprises the original music from a play with the same name that was directed by Lola and Alejo Moguillansky. The translated title of the song here is “I’m going to beat you by knockout”.

AUSTRALIA: Who The Bloody Hell Are They?
Leader CheetahBloodlines
Festival State four-piece Leader Cheetah are the less manic, more soulfully melodic reincarnation of now-defunct Pharaohs. Their music is layered folk-rock twang meets brooding pop – think Neil Young’s moody younger brother in stormy weather. Bloodlines reminds me of Interpol circa the jangling guitar, tonal shift glory days of Turn On The Bright Lights. The vocals of singer Dan Crannitch are mind-addlingly beautiful and dark, especially when met with the surge of harmonies in the chorus. Leader Cheetah’s debut album The Sunspot Letters is out now on Spunk Records.

BRAZIL:Meio Desligado
Black Drawing ChalksBig Deal
Any fan of Turbonegro, Queens Of The Stone Age and others bands who make dirty and fast rock’n’roll will love Black Drawing Chalks. Describing their sound as “music to drink and fuck to”, they come from Goiânia Rock City and have one of the most incredible shows I’ve seen on the Brazilian underground.

Amos The TransparentLemons, aka (BigFishLittlePond)
Ottawa may be Canada’s capital but it hasn’t produced much in the way of great Canadian music. Amos The Transparent are the exception to this rule. Their debut, Everything I’ve Forgotten To Forget, featured contributions from members of Stars and Broken Social Scene, and sounded like those two other bands. Lemons, aka (BigFishLittlePond) is taken from their about-to-be-released follow-up EP and finds the band inhabiting similarly stunning territory.

CHILE: Super 45
VapourboatFull Trains Of Dead People
Vapourboat is the Scottish project of Chilean-born Nico Carcavilla. His songs are composed entirely in his bedroom, inspired by the genius of Otis Redding. Perhaps it is this influence which makes Carcavilla sing like a man who has lived it all, when he is actually just starting. Being only 14, his songs incorporate instruments such as ukuleles, accordions, guitars and keyboards, and the Neutral Milk Hotel-esque arrangements end up developing into sad, long walks that owe their intensity to Beirut.

DENMARK: All Scandinavian
KellermenschAll Time Low
Their name is inspired by Fjodor Dostojevski’s novel Notes From Underground, they’re heavily influenced by the German expressionist movement Die Brücke and the Esbjerg-based Danes are musically related to both Tom Waits and metal acts like Tool. Their eponymous debut album is stunningly original and a massive contribution to the already vibrant Danish rock and metal scenes.

ENGLAND: The Daily Growl
BlacklandsCome Sad Light Of Dawn
This month we return to folkiness, mainly because if I don’t cover Blacklands soon, main man Al Murphy will have moved to New York and his music will no longer be ‘England’ for MAP. It’s lovely sepia-tinged fireside acoustic pickings. Come Sad Light Of Dawn is a gorgeous song, conceived in Berlin, executed in a cottage on a desolate Yorkshire moor. You may be able to tell.

FRANCE: SoundNation
SliimyTrust Me
Sliimy may be best known for his cover of Britney Spears’ Womanizer but the 20-year-old is a talented artist in his own right, with his high-pitched vocals and pop sensibility reminiscent of Mika.

GERMANY: Blogpartei
Five! Fast!! Hits!!!Keep My Name Out Your Mouth
Five! Fast!! Hits!!! have been an institution in Munich for years. No month without at least one gig, until now. Singer Raffi is moving to London while Amadeus, the true head of the band, will pay attention to his other projects such as Elektrik Kezy. Their melodic, hectic, eclectic and energetic shows will be missed.

ICELAND: I Love Icelandic Music
Ólafur ArnaldsHimininn Er Að Hrynja, En Stjörnurnar Fara þér Vel
Ólafur Arnalds is a talented 21-year-old musician, part of the new generation of classical composers. He hails from the suburban town of Mosfellsbær, just outside Reykjavík. He has toured extensively around Europe and North America with a live string quartet and last summer he supported Sigur Rós on some European shows. The song here – translated as “The sky is falling but the stars look good with your dress” – is on his Variations Of Static EP which shows off his crackling electronics and sounds.

IRELAND: Nialler9
David KittMove It On
The opening track from Kittser’s sixth album The Nightsaver displays the same solid thread of songwriting and homemade invention he has always been able to produce regardless of the style inherent within thanks to his distinctive voice and ear for a tune. The album, which was recorded at the top of a winding staircase somewhere along Dublin’s Grand Canal, may turn out to be his best yet.

ITALY: Polaroid
Death In Donut PlainsOver And Above
Death In Donut Plains is the solo project of Enrico Boccioletti from Pesaro. He plays evocative electronic music with a wide range of inspirations such as Aphex Twin, Fuck Buttons, M83 and The Radio Dept. He has created some lovely covers of Liars, dEUS and Good Shoes but his latest EP has a lighter and more pop touch, in a sort of Postal Service mood.

MEXICO: Club Fonograma
Juan SonMermaid Sashimi
Mermaid Sashimi is the first solo album by Mexico’s most prolific contemporary vocalist, Juan Son. After the breakup of his highly celebrated band Porter, he expands his already singular vision with much confidence and complete freedom, delivering what’s arguably Mexico’s best production in a while. He has the sensibility of a story-teller and the thirst of a scientist.

NEW ZEALAND: Counting The Beat
The VerlainesYangtze Cod And Chips
The Verlaines were one of the bands to define the Dunedin Sound, releasing a number of classic recordings on the iconic Flying Nun Records label between 1981 and 1996. They returned in 2007 with a well-regarded album Pot Boiler and are about to release a new politically-inspired record called Corporate Moronic. Songwriter Graeme Downes has fire in his belly as you can hear on this song about the unlikely subject of a free trade agreement between NZ and China.

NORWAY: Eardrums
The ElectonesRight Foot From Left
The Electones make beautiful experimental pop almost without creative boundaries and its foundation rests heavily on 60s-inspired folk and jazz. They are musical cousins to artists such as Múm, Psapp Sigur Rós and The Accidental. The Electones’ debut album If You’ll Be Null, I’ll Be Void will be released on Beatservice Records on March 23 and the band will also be a part of Birdsongs, Beesongs – the upcoming, free Eardrums compilation.

Resplandor are probably better known abroad than in Peru. Formed a decade ago by Antonio Zelada and Luis Rodriguez, the band’s shoegaze dream pop sound has seen them play with The House Of Love and The Radio Dept. Their most recent album Pleamar was produced by Robin Guthrie and opener Solar is the best song on it.

PORTUGAL: Posso Ouvir Um Disco?
CorsageDried Up, River Blues
Corsage are an indie band from Lisbon who brought out their first EP in 2004. The following year they recorded a cover of a Scott Walker song, Angel Of Ashes, for a tribute release to the British musician by Portuguese bands. In 2007, they were featured in the compilation Novo Rock Português (“New Portuguese Rock”) and one of their songs was selected for the soundtrack of a Portuguese soap. Last month they released their new album Finito L’Amore, where you can find this month’s track, Dried Up, River Blues.

ROMANIA: Babylon Noise
GrimusBackseat Driver
Grimus are an indie/alternative band from Cluj. They formed about four years ago and their debut record Panikon was declared Romania’s best album of 2008 by several musical/cultural communities. Although influenced by the likes of Placebo, Muse and Interpol, they manage to create a unique style and sound. On top of that, these guys are great live on stage – you not only get a performance, you’re in for a show.

We Were Promised JetpacksShips With Holes Will Sink
We Were Promised Jetpacks ought to be one of the biggest stars of this year’s SXSW. They mix sweeping, sonic brilliance with a melodic accessibility that has made them Glasgow’s most talked-about band since Frightened Rabbit. Indeed, they have followed in the footsteps of their city chums by signing to FatCat, who will release their debut album These Four Walls in June. Until then, here’s a teaser from it to whet the appetite.

SINGAPORE: I'm Waking Up To...
A Vacant AffairConnecting The Dots
A clean, clinical and almost methodical country like Singapore can only boast the undercurrent of a disenfranchised youth who find different ways of breaking the status quo. A Vacant Affair almost does that, not by being cynically political about the culture here, but by embracing the emotions that come along with it. A post-hardcore band that shares influences with the likes of Underoath and Deftones, they bring it all out in the fantastic debut album closer, Connecting The Dots. AVA steer the listener into a swimming plethora of swirling vocals and guitars as they finally explode into an extended outro that acts as a buffer between you and this crazy, mixed-up world.

PavlovThe Lioness
If you’re looking for some rock’n’roll you should definitely listen to Pavlov. If you’re not, you probably should anyway. Not a big fan of the genre myself, I gave Pavlov a chance after being told to think of them as AC/DC and The Hives with a frontman who looks like Jarvis Cocker with Tourette’s – and it was not something to regret. Everything they’ve recorded has something special to keep you listening and when the last song has finished it’s hard not to play everything all over again.

SPAIN: El Blog De La Nadadora
BedroomJapanese Girl
Even in Spain there are still lots of people who don’t know the powerful secret that Bedroom hides. Folk, torch-songs and traditional music join together around the presence of Bert, the engine behind Bedroom. His debut album LaCasaDinsLaCasa surprised us last year – now it’s your turn to listen to Japanese Girl and discover why.

SWEDEN: Swedesplease
Two White HorsesGood Times Are Gone Forever
Good Times Are Gone Forever by the brother/sister duo Two White Horses may be about growing up and realizing childhood is over, but it’s hard not to think about the song more in the context of our present global meltdown. I love Lovissa’s voice on this track as well as the fuzzy chug-chug guitar.

To download all 24 songs in one file click